22 / 23 SEASON

For Longy’s 2022–2023 event season, we invite you to leave all preconceptions at home.

Musical experiences can have any starting point. Whether born of complex ideas, emotional impulses, or spontaneous inspiration, every music maker begins wherever they are—which is exactly where they need to be.

Just as there’s no right way, no single starting line for becoming a musician, composer, or performer, there’s no one correct entry point for us as the audience. There’s no required reading for experiencing a piece of music, no prerequisite understanding or context to bring with you to a musical experience. You come to it from wherever you are.

In relinquishing our ideas of what a musical experience should be, we open ourselves to receiving and internalizing music in a way that is unique and true to each of us.

Every artist, composer, and musician represented in this season’s program took a different path to arrive at Longy, detours and scenic routes included. We hope the stories on our stages this year inspire you to begin your own new journey, no matter where you start. Allow yourself to begin wherever you are.

When there’s no set path to follow, you become free to begin anywhere.

COVID-19 Concert Attendance Policy

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Patricia Kopatchinskaja and Jay Campbell Masterclass

Friday • January 24, 2020   |   12:00 pm 2:00 pm

Patricia Kopatchinskaja

Kopatchinskaja was born in Chișinău, in the Moldavian Soviet Socialist Republic (now Moldova). She comes from a family of musicians. Her parents were both with the state folk ensemble of Moldova: her mother, Emilia Kopatchinskaja, was a violinist, and her father, Viktor Kopatchinsky, was a cimbalom player. She entered the University of Music and Performing Arts, Vienna at age 17, where she studied musical composition and violin. From age 21 to 23 she finished her studies in Bern at the Musikhochschule, where her teachers included Igor Ozim. Kopatchinskaja has played with most of the important European orchestras including Vienna, Berlin and London Philharmonic. She regularly plays in Japan and Australia and recently also extended her activity to the United States, South America, Russia, and China. She has an ongoing collaboration with amongst others the following conductors: Teodor Currentzis, Péter Eötvös, Tito Muñoz, Iván Fischer, Heinz Holliger, Vladimir Jurowski, Andrés Orozco-Estrada, Kirill Petrenko, Sir Simon Rattle, and François-Xavier Roth. Kopatchinskaja plays a violin built by Giovanni Francesco Pressenda (Turin) in 1834, according to Dennis Rooney in the British music magazine The STRAD, March 2003 “a very colourful-sounding instrument whose viola-like quality lent her playing exceptional tonal interest”

Jay Campbell

Armed with a diverse spectrum of repertoire and eclectic creative interests, cellist Jay Campbell has been recognized for approaching both old and new music with the same curiosity and commitment. His performances have been called “electrifying” by the New York Times; “gentle, poignant, and deeply moving” by the Washington Post. The only musician ever to receive two Avery Fisher Career Grants—in 2016 as a soloist, and again in 2019 as a member of the JACK Quartet—Jay made his debut with the New York Philharmonic in 2013 and worked with Alan Gilbert in 2016 as the artistic director for Ligeti Forward, a series featured on the New York Philharmonic Biennale at the Metropolitan Museum of Art. In 2017, he was Artist-in-Residence at the Lucerne Festival along with violinist Patricia Kopatchinskaja, later appearing together in recital at New York’s Park Avenue Armory and the Ojai Music Festival. In 2018, he made his Berlin debut at the Berlin Philharmonie with Deutsches Symphonie-Orchester Berlin. Future highlights include the Italian premiere of Luca Francesconi’s cello concerto Das Ding Singt (commissioned for him by the Lucerne Festival) at Milano Musica, recording Marc-Andre Dalbavie’s cello concerto with the Seattle Symphony, a recital tour with Patricia Kopatchinskaja, and a new cello concerto by Andreia Pinto-Correia. Adjacent to his performing life, he was invited to be co-curator in 2019 with composer John Adams for the Los Angeles Philharmonic’s Green Umbrella series. Dedicated to introducing audiences to the music of our time, Jay has worked with some of the most creative musicians of our recent time including Pierre Boulez, Elliott Carter, Matthias Pintscher, John Adams, Kaija Saariaho, Chaya Czernowin, Georg Friedrich Haas, and many others from his own generation. His close association with John Zorn resulted in the 2015 release of Hen to Pan (Tzadik) featuring all works written for Campbell, and was listed in the New York Times year-end Best Recordings of 2015. Deeply committed as a chamber musician, Campbell is a member of the JACK Quartet as well as the JCT Trio with violinist Stefan Jackiw and pianist Conrad Tao.

*Tickets not required


Friday • January 24, 2020
12:00 pm 2:00 pm
Event Category:


Edward M. Pickman Concert Hall
Longy School of Music, 27 Garden Street
Cambridge, MA 02138 United States
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