Faculty

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At Longy, world-class, working musicians help you develop your art and technique—and we also model what a modern music career looks like. While you’re building your own artistic identity, you’re honing the skills to forge the career that’s right for you.
— Corrine Byrne, Vocal Studies Chair

Carol Adee
Master of Arts in Teaching
Historical Performance - Voice; Vocal Studies
Composition and Theory
Jazz and Contemporary Music - Voice
Jazz and Contemporary Music - Piano, Ensembles, Composition
Judith Hill Bose
Dean of the Conservatory
Composition and Theory
Jazz and Contemporary Music - Ensembles
Jeremy Van Buskirk
Associate Dean for Academic Affairs; Composition and Theory; Computer Music
Akhanaton Cacao
Master of Arts in Teaching
Historical Performance - Baroque Cello
Jazz and Contemporary Music - Piano, Ensembles, Improvisation
Dean Emeritus; Piano; Collaborative Piano
Strings - Viola; Historical Performance - Violin, Viola
Historical Performance - Voice; Vocal Studies
Elizabeth Drakeley
Mind/Body - Alexander Technique
Historical Performance - Harpsichord; Organ; Piano; Vocal Studies
Master of Arts in Teaching
Composition and Theory; Jazz and Contemporary Music - Composition
Sarah Fard
Master of Music in Music Education
Ana Guigui
Vocal Studies, Jazz and Contemporary Music - Voice
Piano; Collaborative Piano
Career Coaching Program Manager, Brass - Trumpet
Historical Performance - Baroque Oboe
Historical Performance - Viola da Gamba
Jamie Hillman
Master of Music in Music Education
Jazz and Contemporary Music - Department Chair, Guitar
Jazz and Contemporary Music - Trumpet; Composition and Theory
Historical Performance – Sackbut
Master of Arts in Teaching
Jazz and Contemporary Music - Ensembles

Brass and Woodwinds - Department Chair, Trumpet; Ensemble Uncaged; Divergent Studio
Anthony Leva
Visiting Faculty - Project English
Historical Performance - Recorder
Historical Performance - Baroque Flute
Jazz and Contemporary Music - Upright/Electric Bass, Ensembles
Historical Performance - Baroque Violin
Historical Performance – Department Chair, Harpsichord; Music History
Collaborative Piano; Piano
Jazz and Contemporary Music - Ensembles
Chamber Music - Department Chair; Strings – Violin; Horszowski Trio
Collaborative Piano; Piano; Vocal Studies
Historical Performance - Harpsichord
Historical Performance - Baroque Oboe and Recorder
Historical Performance - Period Dance
Jazz and Contemporary Music
Noah Preminger
Jazz and Contemporary Music - Saxophone
Therese Provenzano
Master of Music in Music Education
Andrea Quaid
Master of Arts in Teaching
Tyler Reece
Vocal Studies; Director of Admissions and Student Services
Brittney Rodriguez
Master of Arts in Teaching
Ian Saunders
Assistant Dean for Artistic and Social Change
Historical Performance - Baroque Bassoon
Jazz and Contemporary Music - Composition and Theory
Mind/Body - Feldenkrais Method
Woodwinds - Oboe, English Horn
Miriam Singer
Master of Arts in Teaching
Jazz and Contemporary Music – Drums
Conductor and Music Director, Sistema Side-by-Side; Guest Conductor - Longy Conservatory Orchestra
Mind Body - Music as a Healing Art
Jazz and Contemporary Music - Flute, Saxophone
Music History; Vocal Studies
Jazz and Contemporary Music – Trumpet
Historical Performance - Baroque Bass/Violone
Historical Performance - Voice; Vocal Studies
Sean Wang
Strings - Department Chair, Violin
Internship Program; Chief Operating Officer
Director – Master of Arts in Teaching
Collaborative Piano; Vocal Studies
Erin Zaffini
Director of Teacher Education
Jazz and Contemporary Music - Percussion