22 / 23 SEASON

For Longy’s 2022–2023 event season, we invite you to leave all preconceptions at home.

Musical experiences can have any starting point. Whether born of complex ideas, emotional impulses, or spontaneous inspiration, every music maker begins wherever they are—which is exactly where they need to be.

Just as there’s no right way, no single starting line for becoming a musician, composer, or performer, there’s no one correct entry point for us as the audience. There’s no required reading for experiencing a piece of music, no prerequisite understanding or context to bring with you to a musical experience. You come to it from wherever you are.

In relinquishing our ideas of what a musical experience should be, we open ourselves to receiving and internalizing music in a way that is unique and true to each of us.

Every artist, composer, and musician represented in this season’s program took a different path to arrive at Longy, detours and scenic routes included. We hope the stories on our stages this year inspire you to begin your own new journey, no matter where you start. Allow yourself to begin wherever you are.

When there’s no set path to follow, you become free to begin anywhere.

COVID-19 Concert Attendance Policy

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Rachael Elliott, bassoon • NA MI BACKYARD • Faculty Artist Recital

Saturday, September 24   |   3:00 pm 4:00 pm

Free – $20.00
While this event is open to the public, you must pre-register in order to gain access in person. Registering for the performance is an important step to ensure the ability of contact tracing. No walk-ups will be allowed at Longy for performances.

Na Mi Backyard
There is beauty everywhere – even in a sprawling city, even in a world stressed by climate change and conflict. Na Mi Backyard is a celebration of the beauty in the small things and the inspiration that can be found in unlikely places. Rachael Elliott commissioned Mohamed Dainkeh’s “Na Mi Backyard” and co-commissioned Amanda Harberg’s Sonata for Bassoon and Piano with this in mind. The program explores joy and playfulness, toying with norms and our expectations of musical performance. Spanning four continents and two decades, this night invites listeners to delve into what it means to make music in the modern world. A setup in-the-round gives the audience infinite entry points and viewpoints for this celebration of unexpected beauty.

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Hailed as “one of the sharpest executors of new-music currently on the scene” (WQXR) and an “intrepid bassoonist” (Time Out New York), Rachael Elliott explores compelling new directions as a bassoon soloist and chamber artist.

Elliott is a versatile performer who is active in classical, new music, improvised and rock/pop settings. She is a founding member of the genre-bending new music group, Clogs, with whom she has recorded five acclaimed albums and appeared throughout the United States, Europe and Australia, sharing the stage with such renowned musicians as Bang on a Can, Bell Orchestre, The Books, The National, Terry Riley, Sufjan Stevens and Shara Nova/My Brightest Diamond.

She is also a founding member of Dark in the Song, Rushes Ensemble, Tuple bassoon duo, and Heliand Consort, a Vermont based classical group. She is principal bassoonist of the Burlington Chamber Orchestra and a substitute bassoonist with the Vermont Symphony Orchestra. Elliott was previously principal bassoonist and bassoon soloist with the Collegium Musicum in Juelich, Germany.

A proponent of new music, Elliott has premiered works by Amy Beth Kirsten, Bryce Dessner, Paul Lansky, Ingram Marshall, Padma Newsome, Thomas L. Read, and Beth Wiemann, among others. Her debut CD, “Polka the Elk,” contains world premiere recordings of bassoon music by David Lang, Padma Newsome and Tawnie Olson. The album was selected as WQXR’s Q2 Album of the Week following its release and has been described as “an engaging, eclectic mix of contemporary music” by Cleveland Classical and “a charismatic exploitation of a chamber group’s nimbleness” by PopMatters.

Originally from Lyndon, Vermont, her earliest musical memories include hearing her father practice piano at night as she was falling asleep and later studying piano herself, before picking up the alto saxophone in middle school. “Saxophonists are a dime a dozen” was the refrain of her piano teacher who encouraged her to try the bassoon…and the rest is history. Her musical mentors have included Nancy Hartswick, John Padden, and bassoonists Janet Polk and Frank Morelli. She received bassoon performance degrees from the Manhattan School of Music and the Yale School of Music.

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Details

Date:
Saturday, September 24
Time:
3:00 pm 4:00 pm
Cost:
Free – $20.00
Event Category:

Venue

Edward M. Pickman Concert Hall
Longy School of Music, 27 Garden Street
Cambridge, MA 02138 United States