Registration is now open for the Spring Session (January 25 - April 5)!
Winter/Spring Registration Deadline: January 15, 2024
Tuition: FREE
Music instruction is at its best when it centers the student’s voice, thereby increasing student leadership and a sense of ownership of their education. Side-by-Side does this by placing young people alongside established musicians in a collaborative learning environment where they are viewed as equal contributors. They get to be teachers and students, speakers and listeners, at the same time.
Honoring process over product, Longy’s Side-by-Side Program follows an apprenticeship model centered on access, inclusion, and equity; throughout the year, students might lead a piece, run a rehearsal, or compose music for a performance. Along the way, they are empowered to view themselves as equals in music-making without the stress of being “good” enough. Open to all music students (grades K-12) of any skill level, this program invites participants to play alongside Longy conservatory students and guest musicians. Learning side-by-side—with each other and from each other.
Side-by-Side students are invited to:
- Come as they are. Even in group settings, there is no one-size-fits-all approach. Whether playing in the Beginner or Intermediate/Advanced group, each student is challenged by facilitators who understand their unique abilities.
- Join a supportive community. In sharing the stage with the professionals, students build lifelong memories in music. More than that, though, they get a chance to connect with their peers across the state, joining an artistic community that welcomes all.
- Share input, share experience. Our Artistic Directors and faculty invite Side-by-Side participants to actively influence the program – from how they learn, to which pieces they play, to expressing how they feel. Side-by-Side participants have agency. How they learn, which pieces they play, and what they feel—our Artistic Directors and renowned faculty invite them to share it all.
- Collaborate with other members of the community. All students also work alongside community partners, such as the Perkins School for the Blind, so that K-12 students and graduate students see themselves as part of a larger world of music-making and community enrichment.
Submitting Your Playing Video
All musicians are asked to submit a placement video with their online registration. Please consult with your music teacher if you need assistance. The video should be uploaded to google drive, dropbox, a private YouTube channel, or other method that enables the student to share their video via private URL, or uploaded directly. The total length should not exceed 5 minutes. Please upload a single video including the following:
- The student should state their name and announce each selection before playing
- A scale representative of the student’s skill (multiple octaves preferred)
- A solo piece or excerpt that is representative of the student’s current skill. (an exercise, section of an ensemble piece, or other solo are all acceptable)
Program Schedule:
Student Arrival: 8:45 a.m.
Rehearsals: 9:00 a.m. – 12:00 p.m.
October 12, 2024 | Fall Session – Rehearsal 1 |
October 19, 2024 | Fall Session – Rehearsal 2 |
November 2, 2024 | Fall Session – Rehearsal 3 |
November 16, 2024 | Fall Session – Rehearsal 4 |
November 23, 2024 | Fall Session – Rehearsal 5 |
December 7, 2024 | Fall Session – Rehearsal 6 |
December 14, 2024 | Informance |
January 25, 2025 | Spring Session – Rehearsal 1 |
February 1, 2025 | Spring Session – Rehearsal 2 |
February 8, 2025 | Spring Session – Rehearsal 3 |
March 1, 2025 | Spring Session – Rehearsal 4 |
March 8, 2025 | Spring Session – Rehearsal 5 |
March 15, 2025 | Spring Session – Rehearsal 6 |
March 29, 2025 | Spring Session – Rehearsal 7 |
April 5, 2025 | Spring Concert |
Meet Our Side-by-Side Faculty
Jared Cassedy
Jared L. Cassedy is in his 21st year teaching and is the Performing Arts Department Head and High School Band Director for the Masconomet Regional School District in Boxford, MA. He spent the last six years as the K-12 Performing Arts Coordinator and LHS Wind Ensemble Conductor for Lexington Public Schools, MA and is in his ninth year directing the Junior Massachusetts Youth Wind Ensemble at the New England Conservatory Preparatory School. Jared is the 2015 recipient of the prestigious GRAMMY Music Educator Award and was most recently named a 2022 National Music Teacher of Excellence by the Country Music Association (CMA) Foundation. Jared serves as President-Elect for the Massachusetts Music Educators Association and is the immediate Past Chairperson of the MMEA Northeastern District. Before coming to Massachusetts, Jared was the K-12 Fine and Performing Arts Director for the Windham, NH and Salem, NH School Districts and director of the Windham High School Band Program. He is a much sought after clinician and has conducted a myriad of regional honor bands across New England, given a variety of lectures on leadership and best practices in teaching, including the Midwest International Band and Orchestra Clinic presenting a session titled “Fine Tuning Ensemble Culture and Why it Matters – Intentionally Creating a Positive Community Through Conversation and Collaboration,” and has participated in TEDx speaking about his journey and philosophies through his career in education. Additionally, Jared has served on the National Association for Music Education (NAfME) Equity Committee, Strategic Planning Committee, and Council of Music Program Leaders.
Jamie Gunther
Jamie Gunther is the Assistant Director of Music Education at Longy School of Music of Bard College, where he directs the Master of Music in Music Education In-Person program. Jamie coordinates Music Teacher Licensure, and teaches several courses including Practicum and Licensure Seminars, Introduction to Pedagogy for Performers, and Community Music. Jamie began his career in music education teaching K-12 general music, 4-12 band, digital music, and drumline in New York City and Boston schools. He has presented at the Society for Music Teacher Education, College Music Society, NAfME national and state conferences, and was recently published in New York State School Music News. Jamie holds a bachelor’s degree in music education from The Pennsylvania State University, a master’s degree in music performance from Central Michigan University, a master’s degree in music education, and a doctorate in music education from Teachers College, Columbia University. His research focuses on music teacher education, student teaching, and cooperating music teachers.
Andrés Mejía Rojas
Andrés holds a bachelor's degree in music from EAFIT University with an emphasis on Cello and a master's degree in music education from the Longy School of Music at Bard College. His musical career has been marked by his participation in a wide variety of musical and social projects with programs around the world. Currently, Andrés is part of the leadership team of the Boston Music Project and Alumni Academy for Impact Through Music.
Ana Ospina
Ana is a versatile musician who enjoys playing the cello in classical as well as diverse musical genres. Passionate about chamber music, she co-founded the Ámbar Collective and regularly performs with orchestras in the Cambridge and Boston areas. Ana has also been a guest artist at the prestigious Ibagué Festival by Fundación Salvi. In addition to performing, she is a dedicated educator, teaching cello at the Boston String Academy and serving as Program Coordinator for Side-by-Side at Longy School of Music. She holds a Bachelor of Arts in cello performance from William Carey University and a Master of Music from Longy School of Music, studying under the cellist Christine Lamprea.
Vaccination Requirement and Masking Policies
Longy no longer requires proof of COVID-19 vaccination for students. We strongly recommend every member of the Longy community receive COVID-19 vaccinations and all boosters for which they are eligible to continue to keep the community safe. Longy faculty and staff are still required to be fully vaccinated. Masking at Longy is optional in all situations including singing in lessons, rehearsal, and performances.