22 / 23 SEASON

For Longy’s 2022–2023 event season, we invite you to leave all preconceptions at home.

Musical experiences can have any starting point. Whether born of complex ideas, emotional impulses, or spontaneous inspiration, every music maker begins wherever they are—which is exactly where they need to be.

Just as there’s no right way, no single starting line for becoming a musician, composer, or performer, there’s no one correct entry point for us as the audience. There’s no required reading for experiencing a piece of music, no prerequisite understanding or context to bring with you to a musical experience. You come to it from wherever you are.

In relinquishing our ideas of what a musical experience should be, we open ourselves to receiving and internalizing music in a way that is unique and true to each of us.

Every artist, composer, and musician represented in this season’s program took a different path to arrive at Longy, detours and scenic routes included. We hope the stories on our stages this year inspire you to begin your own new journey, no matter where you start. Allow yourself to begin wherever you are.

When there’s no set path to follow, you become free to begin anywhere.

COVID-19 Concert Attendance Policy

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The Multifaceted Career: Reginald Mobley

Wednesday • February 26, 2020   |   12:00 pm

Longy School of Music of Bard College is proud to present The Multifaceted Career Speaker Series featuring conversations with musicians who defy categorization. As an essential component of Longy’s career coaching program, this series fosters an exploration of how we (re)define individual success in our diverse and growing field.

“It must be said from the beginning that one of the joys of seeing Mobley is hearing his beautiful alto coming out of a big, tall man who looks more like a linebacker for the Miami Dolphins than the P.G. Wodehouse party guest his name might suggest.”

“It must be said from the beginning that one of the joys of seeing Mobley is hearing his beautiful alto coming out of a big, tall man who looks more like a linebacker for the Miami Dolphins than the P.G. Wodehouse party guest his name might suggest.”

Countertenor Reginald L. Mobley fully intended to speak his art through watercolors and oil pastels until circumstance demanded that his own voice should speak for itself. Since reducing his visual color palette to the black and white of a score, he’s endeavored to open up a wider spectrum onstage.

After starting his classical music career as a member of twice GRAMMY® nominated ensemble Seraphic Fire, Reggie has since appeared with Academy of Ancient Music, Agave Baroque, Bach Collegium San Diego, Calgary Symphony, Monteverdi Choir & English Baroque Soloists, Pacific Music Works, the Royal Scottish National Orchestra, Seattle Symphony, TENET, and The Handel + Haydn Society. With the latter, he had the honor of becoming the first Black person to lead H+H in its Bicentennial year. Recent festival appearances include Bachfest Leipzig, Festival Berlioz, Early Music Vancouver, Thüringer Bachwoche, Portland Bach Experience, and the Boston Early Music Festival. This coming season will see debut appearances with St. Paul Chamber Orchestra, Philharmonia Baroque, Musica Angelica, Bach Akademie Stuttgart, Gaechinger Cantorey, Chicago’s Music of the Baroque, and a recital of the music of Black American composers with keyboardist Henry Lebedinsky at the Musée d’Orsay in Paris . Reggie has also participated this fall in two new recording projects. An all Handel disc featuring the Ode to the Birthday of Queen Anne, and the Utrecht Te Deum & Jubilate with Bach Akademie Stuttgart led by Hans Christoph Rademann, and Italian Chamber Duets of Agostino Steffani led by harpsichordist, Jory Vinikour.

Never bound by conventional countertenor repertoire, Reggie has a fair bit of non-classical work in tow. His first professional work was in Musical Theatre, and while working in Japan (as a Singer/Actor for Tokyo Disney), he performed cabaret shows of gospel, jazz, and torch songs in jazz clubs around Tokyo. Since moving in Boston, a strong devotion to social and political activism has awoken and become a part of everyday life. As a member of NoBoston2024 and allied with No Boston Olympics, Reggie (one of the #tenpeopleontwitter) was able to lend his strength to the effort to reject the 2024 Olympic Games bid that was “awarded” to Boston. That, and time volunteering in local political campaigns, has only helped focus a desire to make a difference within the Arts. Particularly with the massive inequality regarding race, gender, and sexuality within the classical music industry.

And though not one to regret, Reggie has considered rediscovering his artistic roots. So if seen post concert, forego an autograph and ask for one of his self-acclaimed stick figure drawings. It’s a start.

*Tickets are not required for attendance

Details

Date:
Wednesday • February 26, 2020
Time:
12:00 pm
Event Categories:
,

Venue

Edward M. Pickman Concert Hall
Longy School of Music, 27 Garden Street
Cambridge, MA 02138 United States