Graduating Student Recital | Kexin Zhu, piano | une barque sur l’ocean

Johann Sebastian Bach (1685–1750): French Suite No. 5 in G Major, BWV 816
Bach’s French Suites are a collection of six keyboard works written in the early 18th century, likely for pedagogical purposes. The Fifth Suite in G Major exemplifies Bach’s mastery of dance forms, featuring movements such as the lively Allemande, the graceful Courante, the expressive Sarabande, and the spirited Gigue. Each movement showcases Bach’s intricate counterpoint and harmonic ingenuity, blending technical precision with profound musicality.

Maurice Ravel (1875–1937): “Une barque sur l’océan” from Miroirs
Originally composed for piano in 1905, *”Une barque sur l’océan”* (A Boat on the Ocean) is the third piece in Ravel’s Miroirs suite. This impressionistic work depicts the undulating waves and shimmering reflections of sunlight on water through its flowing arpeggios and rich harmonic textures. Ravel’s delicate yet virtuosic writing creates a vivid seascape, evoking both the tranquility and the unpredictable power of the ocean.

Ludwig van Beethoven (1770–1827): Piano Concerto No. 5 in E-flat Major, Op. 73, “Emperor”
Beethoven’s Fifth Piano Concerto, nicknamed the “Emperor,” stands as one of the most monumental works in the piano concerto repertoire. Composed during the Napoleonic Wars (1809), it reflects Beethoven’s heroic style—grand, triumphant, and deeply expressive. The first movement (Allegro) opens with a majestic orchestral introduction followed by the piano’s bold entrance. The serene Adagio transitions into a jubilant Rondo, concluding the concerto with dazzling virtuosity and exuberance. The “Emperor” Concerto remains a testament to Beethoven’s innovative spirit and enduring genius.